news

2/15/10-3/15/10 I’ll be at Jentel Artist Residency working on mixed media collage paintings.


11/20/09 -1/15/10 the nurse and the police officer, a sound and sculpture installation, showing at Spaces  Gallery, Cleveland, Ohio. opening reception 11/20/09 6-9 pm.


9/11/09 opening of reMARKable at Indigo Art Gallery, Buffalo, New York.


9/05/09 opening of Northern Ohio Clay Exhibition at Artseen, Vermillion, Ohio


7/3 - 8/8/2009 I’ll be part of 19 at Asterisk Gallery in Tremont, Ohio.


homescape

February 18 - March 13, 2011

Opening: Friday, February 18, 6pm -9pm


Arts Collinwood Gallery

15605 Waterloo Road

Cleveland, OH 44110



Stone Canoe, a journal of arts and ideas, recently awarded me the Hedy and Michael Fawcett Prize for Visual Arts. 

Check out the new website for Making Money the Harder Way, which we will be performing again on June 21, 2013 in Cleveland.

To read more about the William Busta Gallery in Steve Litt’s article in The Plain Dealer and listen to Bill Busta talking with Dee Perry on Sound of Applause.


Click here to download the brochure.

On September 14, 2014 I fly to Alaska to start a 2 month residency in Homer through the Rasmuson Foundation.

I’ll be drawing and printing and working on a community postcard project.

January 9 - February 6, 2015

introductions

Opening Reception: Friday, January 9, 7-9pm

Featuring:

Natale Adgnot, Dara Alter, Elizabeth Emery,

Katrina Majkut, Katie Marshall, Lisa McCutcheon,

Rebecca Reeves, Allie Rex, Justin Webb and

Bridgette Zou


Trestle Gallery

168 7th Street, 3rd Floor

Brooklyn, NY 11215

MATERIALS GIRL: Emery, whose first job after college was as a fabric designer, has had a fascination with texture and color from an early age. "My mother would hate shopping with me because I would just walk around the store touching all the clothes."

I was selected as one of Cleveland Magazine’s Most Interesting People 2015. Below is a quote from the article about my New York City days as a fabric designer. Read the full article to find out other interesting tidbits about me.

As Closing Time Draws Near for the William Busta Gallery, an Exhibition Not to be Missed
http://www.clevescene.com/cleveland/as-closing-time-draws-near-for-the-william-busta-gallery-an-exhibition-not-to-be-missed/Content?oid=4543359http://livepage.apple.com/shapeimage_1_link_0

by Josh Usami, SCENE

At Youngstown State University my show, Ambient Time, will be up through April 3rd, 2015 at the Judith Rae Solomon Gallery . On April 1st they’ve invited me to do a demo and artist talk.

I am extremely honored to be a recipient of the Ohio Arts Council Individual Excellence Award. They have generously offered me help in many ways since I first arrived in Cleveland. Thank you.

In June 2015, I will assist Michelle Illuminato in her Lost & Found Factory at Pittsburgh’s Three Rivers Arts Festival.

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The objects, and subjects, of the artworks are layered with meaning and significance.  Artists, and viewers, identify with them based on their own personal history and narrative.  We all have a degree of preconceptionwhen we make, and observe, artwork.  The most pleasing artworks are those that align with our own personal perspectives.  However, to my mind, the most compelling artworks are those that challenge our ‘preconceptions; those that expose our prejudices.” Stephanie Craig, curator

Mary Ceruti, the Executive Director of Sculpture Center in Long Island City, NY, will visit my studio as part of Cleveland MOCA’s Nesnadny + Schwartz Visiting Curators Program.

Three of my new sculptures will be shown at the The Sculpture Center’s After the Pedestal Show.  The opening reception will be Friday, June 11 from 5:30-8pm.

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promise, it’ll only take a minute to stop

March 9 - April 14, 2012

2012 W2S A Window to Sculpture

The Sculpture Center

“Speaking of which, when you make your way to Some Time Gallery to see Seeds of Colonialism--Darice Polo's exhibit of posters, silkscreened in collaboration with Ping Pong Press--note that she was a Creative Workforce Fellow in the most recent class, in 2016.” CAN Journal, January 2017

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